This can be either an internal integrated process or an external unit (iCMU or eCMU). 709 100 nits, (as well as other HDR display targets like 600 nits), through a Content Mapping Unit (CMU for short). The Dolby Vision shot-by-shot metadata then allows you to see the content tone-mapped in real time, to SDR Rec. This function is integrated into the most popular video color-grading and mastering tools. Once the master HDR grade is complete, you simply run the Dolby Vision analysis to automatically generate three metadata values for each shot that represent the minimum, average, and maximum luminance levels. For more info about monitors, read this article on our content support web portal. Note: Other aspects of the content creation pipeline like VFX creation, packaging, and QC may have less stringent guidelines.
#CINEMA GRADE COLOR GRADING CENTER FULL#
When you master content in Dolby Vision, you maintain the full dynamic range of the images and map it to the capabilities of today's TVs. The best viewing experience - for today and tomorrow
This provides confidence to content creators that their images are represented on all devices with ultimate consistency. With Dolby Vision, the colorist is further empowered to create trims for each shot to control how the content maps to the consumer devices. To overcome the challenge of mastering for these variables, Dolby Vision accurately preserves and delivers the artist's intent, as set in the HDR reference master, through dynamic metadata and tone mapping. Viewers consume content across a multitude of devices - TVs, tablets, PC, and mobile - all with different brightness capabilities and color performance. The most consistent experience across devices